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I imagined honeysuckle yesterday on my walk. I know it’s too early, though. Honeysuckle blooms mid-June here — around my birthday. Spring smells are intoxicating me (finally). Lilacs overgrown fifteen feet tall line the alleys here: twilight dark purple, soft lilac, and white cones. Dusty spring shower scent, sunday quick cut the grass before it rains hard smell. Heady rotting, worm filled, dirt smell as weeds get pulled up, including what seems like acres of Bleeding Heart volunteers near the bird bath. I’m dumping bags of shredded cypress mulch – no faux orange colored mulch here! Sneezing, oh well!
I transplanted a small rose bush that had been mistakenly planted halfway under a downspout at the corner of the garage. In the two years I’ve lived here, it’s budded a few tiny peach roses. Hopefully, it will survive then thrive in its new home in full sun.

National Poetry Month Poster

Although it’s decidedly unpoetic, Poets.org has an interesting list of FAQ for National Poetry Month. I learned they chose April to reduce celebratory competition (Black History Month (February) and Women’s History Month (March)) not because “April is the cruelest month,” though that’s why I’d pick it. T.S. Eliot — for those of you wracking your brains.

Yesterday, it snowed and drizzled most of the day, like god’s own little april fool’s day joke. Daffodils on the south side of the yard are poking up, but pausing on days like yesterday. Today is the tease, like Eliot said: the sky is clear, with only a few swift moving clouds. It’s bright, but only 40 degrees now (10:30 a.m.). I’m putting off my walk on the hopes it’ll get warmer; I’ll risk the sun exposure now and then.

I should be able to put the down comforter away, trade the heavy blanket for cotton, and even open the windows in April, but this morning I have wool socks on my feet and a sweater on inside. Instead it’s still “mixing / Memory and desire, stirring / Dull roots…”

Are robins really the harbinger of Spring? A few bounced around my front yard yesterday — don’t see any this morning, though. I am ready for Spring, like most people around here. Putting the recycling bin out Wednesday, I slipped in the four inches of snow and landed on my butt, cursing all the entities who might have anything to do with this latest snowfall.
The view over the top of the screen is tree-filled and watery blue sky — all frustratingly not Spring.
I haven’t learned to channel this itchy frustration into writing yet, and I’m too old to cavort like a goat anymore. I just want to warm up.

“… and even I’m getting tired of useless desires…” – Patty Griffin, Impossible Dreams CD

The idea of desire jumps to the top of my attention again this morning when I heard this line Patty sings (in the eponymous song). Whether it’s age or winter or Sunday morning, the ah-ha comes to me. When isn’t desire useless? Desire is only an idea or self-created notion stemming from the inability to keep my attention on being here now.

I’ve used the idea of desire to justify many actions (good and bad), but what’s the difference in the adjective, when the noun is the root of the problem?

I realize now that most of my hormones have tapered down to a random drip, what I thought was inherently me, was only the physical drive fueled by youth’s hormones and a misplaced desire for attention [love]. How interesting from this vantage point. Isn’t that called a parallax view?

Sexual desire is the obvious “useless desire,” but a new rug for the foyer or crown molding in the living room or even no rheumatic joint pain are equally useless. The point may be only to watch where my attention goes and if it’s more on the desire than the moment.

Thanks, Patty.

I don’t remember who said the quote about Economics, but I’m sure he or she is right. I have no problem spending significant money to buy a hand-made rug, but I can’t spend $1200 on a snowblower. Is it because I’ve reached middle age without having a machine to move snow? Most of the time I stick to “god put it there; god will take it away,” but in Wisconsin, several inches of snow is common and even all-wheel drive isn’t magic. Especially when trying to muscle through the frozen wall the street plow plastered to the bottom of the driveway. And you HAVE to clean in front of the mail box or risk the nasty-gram from the mail carrier.

Now my lower back hurts and I detest “my back hurts” whiners. I know it’s moving the snow this winter and being 55. Thankfully, I have a neighbor with a plower and blower attached to his John Deere lawn tractor, and I’m pretty sure he enjoys using it in the snow. He usually cleans up the bottom of my driveway and in front of the mailbox (Thanks, Keith!!), but he can’t go up my steep driveway. I appreciate what he does, though, but it’s only stalling the inevitable. sigh.

Does being a writer of any kind require full disclosure?  My idea of a poet is not only one who sees the world in a unique way, but one who tells the truth about what she sees.  and experiences.  Is a poet transparent? or are just her poems?  Is it a symbiotic relationship? Can one exist without the other?

I recently wrote a poem where I told about hitting a man — and how he hit me back.  I asked the reader if they believed that the incident was true (or maybe I was asking if they believed I hadn’ t hit anyone since).  In the poem I asked if the details made the description of the incident more credible.  My writer’s group reviewed the poem and one person had a response to a line that I hadn’t expected.  I included the line, “I don’t remember why, though.”  One reviewer thought the incident couldn’t possibly be true because of this line.  His logic was that if you remember all the details of hitting someone, you would remember why.  Shows what he knows.

I’ve started reading the entire Emily Dickinson collection of poetry. A few poems each morning and a few each night make a poetic meditation practice of sorts. A few poems a day allow me the time to analyze each poem and dig into her unusual syntax.

Observations so far: She writes so much about nature, reading her poems in nature is nearly overwhelming.  She uses a lot of exclamation points.  She uses Yoda-syntax, i.e., “afraid you are, young Jedi.”  It’s really hard to get “The Yellow Rose of Texas” rhythms out of your head when you read her.  Thanks, Billy Collins and NPR.

What it is, by Lynda  Barry is just PHENOMENAL.  The INSIDE of the book is even more AMAZING than the OUTSIDE – and not just because there are SO MANY PAGES! 

Lynda Barry

Go buy this book!

I borrowed it from the library, then realized I wanted to keep it FOREVER.  I could either steal the library copy, but I’m a FRIEND of the library, so that would really look bad, or I could buy a copy.  So I bought a copy today, and I paid full price for it, too.  But really it’s a very small price to pay for spending so much time on Lynda’s Planet.  She’s a PRETTY cheap date, actually.

This book is the PERFECT catalyst for any writer.  Just keep flipping around in it; I can’t bring myself to start at the beginning and work through it methodically. 

I’m STILL trying to figure out page 29, “what is between our inside and our outside”.  There’s no question mark.

I just finished (ok, is a poem every really finished?) a poem about Medusa.  This poem started out several months ago with a question, “What was Medusa like before her head was covered with snakes?  How did it get that way?”  I was fascinated by the idea that she created her hair that eventually turned into snakes.  I imagined her hair as dreadlocks, oil-coated, glossy, twisting curls.

I did a little research and found that many myths allude to her rape by Poseidon; some references have her offending Athena by her relationship with Poseidon.  Now the poem was taking on a very sexual theme.  The seduction made no sense to me.  It had to have been a rape that brought out the monster in Medusa.

Fortunately — very fortunately — I’ve never been raped.  I’ve had a few close calls, though.  I’ve also read many works about rapes — all very poweful.  Now that the poem seemed to have it’s own story to tell, it was all about the rape precipitating her change.  I know I didn’t deliberately set out to write about a rape, but that’s what happened.  I don’t know if it’ll measure up.

By the way, 1 in 6 women and 1 in 33 men will be a victim of sexual assault in their lifetime.  Maybe we’d have greater awareness, if reptile-hair was always a result.

I just received a check for a poem.  Hee! 

Now I am a professional writer.

Being published is almost easy compared to being paid. The bottom line is you just have to keep writing and keep submitting.